Richard Bosman (B 1944) is an Australian artist and printmaker who has produced woodcuts and linocuts since 1980s.
Many of his paintings and prints are concerned with tragedies in dark urban settings, on rough seas, and in eerily quiet woods. They have been influenced by expressionist printmakers like Edvard Munch and Emil Nolde. Also Japanese printmakers like Hokusai.
Some of his work is very experimental. He printed Smokers (1982) with his wife in an edition of two rolls of paper towels.
Born in India, raised in Australia, and the son of a merchant sea captain, Bosman has repeatedly returned to the setting of the sea. In an exhibition “Death and the Sea” at Owen James Gallery he depicts different aspects of the South Pacific sea: volcanoes, moonlit voyages and farewells, small rowboats fighting gigantic waves – “mankind is fickle, life is fleeting, and that the ocean remains unconcerned with our plight”.
“There is a cinematic beauty to these works by Bosman. We sometimes feel as though we are looking at a film strip stopped in time, somewhere between cause and horrible effect. Works such as Volcano and Fog Bank are subtle in their ability to show the progress of time, but there are visual gaps in it, and it is in these gaps that much of the intrigue lies. In Night Sky the effect is almost imperceptible. Here, only the stars move, and in this movement we find we are disoriented. Both South Seas Kiss and Mutiny share the short-lived joy of shore-leave, as a captain is first enraptured by an island girl only to meet his demise once he turns his back.”