References and Bibliography

Ackley, C. S., (2008) British Prints from the Machine Age: Rhythms of Modern Life, London: Thames & Hudson Ltd.

Adam, R. & Robertson, C., (2003) Screenprinting: the complete water-based system, London: Thames & Hudson.

Adler, K., (2006) Mary Cassatt: Prints, London: National Gallery.

Albers, J., (1963) Interactions of Colour, New Haven and London: Yale University Press.

Anfam, D. (ed.) (2017) Abstract Expressionism, London: Royal Academy of the Arts.

Antiff, M. & Green, V. (eds.) (2010) The Vorticists, London: Tate Publishing.

Ayres, J., (2001) Monotype: mediums and methods for painterly printmaking, New York: Watson-Guptill Publications.

Ball-Teshuva, J., (2017) Mark Rothko 1903-1970: Pictures as Drama, Koln: Taschen.

Barker, D., Traditional Techniques in Contemporary Chinese Printmaking, London: A & C Black.

Barnett, V. E. (ed.) (2017) Alexei Jawlensky, Munich, London, New York: Prestel.

Barringer, T., Devaney, E., Drabble, M., Gayford, M., Livingstone, M. & Salomon, X. F., (2013) David Hockney: A Bigger Picture, London: Royal Academy of Arts.

Bikker, J. & Weber, G. J. M., (2015) Rembrandt: The Late Works, London: National Gallery.

Blazwick, I. E., (2015) Adventures of the Black Square: Abstract Art and Society 1915-2015, Munich, London, New York: Prestel and Whitechapel Gallery.

Borchardt-Hume, A. & Ireson, N. (eds.) (2018) Picasso 1932: The EY Exhibition, London: Tate Publishing.

Brighton, A., (1966) Francis Bacon, London: Tate Gallery Publishing.

Brown, N., Tracey Emin, London: Tate Publishing.

Cate, P. D. & Grivel, M., (1992) From Pissaro to Picasso: color etching in France, Paris: Flammarion.

Clark, H. (ed.) (1993) Picasso: In His Words, San Francisco: Collins.

Clark, T. (ed.) (2017) Hokusai: Beyond the Great Wave, London: Thames & Hudson and British Museum.

Cocker, M., Dunmore, H., Hare, B., Jacobson, H., Mabey, R., Marsden, P., Mooney, B., Packer, W., Taylor, J. R., Smit, T. & Tooby, M., (2010) Kurt Jackson: A New Genre of Landscape Painting, Farnham, Surrey: Lund Humphries.

Cohen, J. (ed.) (1995) Picasso: Inside the Image, London: Thames & Hudson.

Coldwell, P., (2010) Printmaking: A Contemporary Perspective, London: Balck Dog Publishing.

Connaissance Des Arts, (2017) Andre Derain: 1904-1914 La Decennie Radicale, Paris: Connaissance des Arts.

Coppel, S., (1998) Picasso and Printmaking in Paris, London: South BGank Publishing.

Cowling, E., Cox, N., Fraquelli, S., Galassi, S. G., Rigpelle, C. & Robbins, A., (2009) Picasso: Challenging the Past, London: National Gallery Publications.

Crippa, E. (ed.) (2018) All Too Human: Bacon, Freud and a Century of Painting Life, London: Tate Publishing.

Cumming, L., (2009) A Face to the World: on self-portraits, London: Harper Press.

D’Arcy Hughes, A. & Vernon-Morris, H., (2008) The Printmaking Bible: the complete guide to materials and techniques, San Francisco: Chronicle Books.

De Sausmarez, J., (2008) Basic colour: a practical handbook, London A&C Black.

Derain, A., (2017) Andre Derain, London and Paris: FAGE.

Dernie, D., (2018) Heat, Cambridge: David Dernie.

Dow, A. W., (1997) Composition: A series of exercises in art structure for the use of students and teachers, California, USa: University of California Press.

Dumas, M., (2014) The Image as Burden, London: Tate Publishing.

Eik Kahng, Charles Palermo, Harry Cooper, Annie Bourneuf, Christine Poggi, Claire Barry & J.C.Devolder, B., (2011) Picasso and Braque: The Cubist Experiment 1910-1912, Santa Barbara: Santa Barbara Museum of Art.

Elderfield, J., (2017) Cezanne Portraits, London: National Portrait Gallery Publications.

Elger, D., (2008) Abstract Art, Hong Kong, Koln, London, Los Angeles, Madrid, Paris, Tokyo: Taschen.

Feisner, E. A., Colour: How to use colour in art and design, London: Lawrence King Publishing.

Freud, L., (2008) On Paper, London: Jonathan Cape.

Freud, L., (2012) Painting People, London: National Portrait Gallery.

Gage, J., (1999) Colour and Meaning: Art, Science and Symbolism, London: Thames & Hudson.

Gale, M. & Stephens, C.(2008) Francis Bacon. London: Tate Publishing.

Godfrey, M. & Serota, N., (2011) Gerhard Richter: Panorama, London: Tate Publishing
.
Grabowski, B. & Flick, B., (2009) Printmaking: A Complete Guide to Materials and processes, London: Lawrence King Publishing.

Graver, M., (2011) Non-toxic printmaking, London: A&C Black.

Gray, J., Nochlin, L., Sylvester, D. & Schama, S., (2005?) Jenny Saville, New York: Rizzoli.

Griffiths, A., (1980) Prints and Printmaking: An introduction to the history and techniques, London: British Museum Press.

Guse, E.-G. & Morat, F. A., (2008) Georgio Morandi: paintings, watercolours, drawings, etchings, Munich, Berlin, London, New York: Prestel.

Hambling, M., (1993) Towards Laughter, Sunderland, UK: Northern Centre for Contemporary Art.

Hambling, M., (1998) maggi & henrietta, London: Bloomsbury.

Hambling, M., (2006) Maggi Hambling the Works and Conversations with Andrew Lambirth, London: Unicorn Press Ltd.

Hambling, M., (2009) The Sea, Salford Quays: The Lowry Press.

Hambling, M., (2010) The Aldeburgh Scallop, Suffolk Full Circle Editions.

Hambling, M., (2015) War, Requiem and Aftermath, London: Unicorn Press Ltd.

Harrison, C., Frascina, F. & Perry, G., (1993) Primitivism, Cubism, Abstraction: The Early Twentieth Century, New Haven and London: Yale University Press and The Open University.

Hartill, B. & Clarke, R., (2005) Collagraphs and mixed media printmaking, London: A&C Black.

Hauptman, J., (2016) Degas: A Strange New Beauty, New York: MoMA.

Hayter, C. E., (2007) The Monotype: The History of a Pictorial Art, Milan: Milton Avery.

Heugten, S. V., (2005) Van Gogh draughtsman: the masterpieces, Amsterdam: Van Gogh Museum.

Hockney, D., (2004) Hockney’s Pictures, London: Thames & Hudson.

Hoerschelmann, A., (2016) Anselm Kiefer: The Woodcuts, Ostfildern, Germany: Hatje Cantz Verlag.

Hornung, D., (2005) Colour: A workshop for artists and designers, London: Lawrence King Publishing.

Hoskins, S., (2004) Inks, London: A&C Black.

Humphreys, R., (2004) Wyndham Lewis, London: Tate Publishing.

Itten, J., (1961) The Elements of Color, New York, Chichester, Weinheim, Brisbane, Singapore, Toronto: John Wiley and Sons.

Jennings, S., (2003) Artist’s Colour Manual, East Sussex: Harper Collins Publishers.

Jover, M., (2007) Caravaggio, Paris: Editions Terrail/Edigroup.

Kallir, J., (2003) Egon Schiele: Drawings and Watercolours, London: Thames & Hudson.

Kandinsky, W., (1977) Concerning the Spiritual in Art, New York: Dover Publications.

Kossoff, L., (2014) London Landscapes, London, Paris, New York, Los Angeles: Annely Juda Fine Art, Galerie Lelong, Mitchell-Innes & Nash, L.a.Louvre.

Lambert, G., (2007) Caravaggio, Koln: Taschen.

Langmuir, E., (2018) A Closer Look at Landscape, London: National Gallery.

Leopold, R., (2004) Egon Schiele Landscapes, Munich, Berlin, London, New York: Prestel.

Livingstone, A. & Kackson, K., (2012) Kurt Jackson Sketchbooks, Farnham Surrey: Lund Humphries.

Lloyd, R., (2014) Hockney Printmaker, London: Acala Arts & Heritage Publishers Ltd.

Logan, A.-M., (1988) Dutch and Flemish Drawings and Watercolours, New York: Hudson Hills Press.

Luckhardt, U. & Melia, P., (1995) Hockney: A Drawing Retrospective, London: Royal Academy of Arts and Thames & Hudson.

Major-George, K., (2011) Collagraph: a journey through texture, UK: Major Impact.

Malbert, R., (2016) Louise Bourgeois: Autobiographical prints, London: Hayward Publishing.

Marquis, A., (2018) Marcellin Desboutin, Cambridge: Fitzwilliam Museum.

Martin, J., (1993) The Encyclopedia of Printmaking Techniques, London: Quarto Publishing.

Merck, M. & Townsend, C. (eds.) (2002) The Art of Tracey Emin, London: Thames & Hudson.

Meyrick, R., (2013) Sydney Lee Prints: A Catalogue Raisonnee, London: Royal Academy of the Arts.

Moorhouse, P., (2013) A Guide to Twentieth Century Portraits, London: Ntional Portrait Gallery.

Moszynska, A., (1990 reprinted 2004) Abstract Art, London: Thames and Hudson.

Muller, J. E., (1967) Fauvism, London: Thames and Hudson.

Muller-Westermann, I. (ed.) (2015) Louise Bourgeois: I Have Been to Hell and Back, Ostfildern, Germany: Hatje Cantz Verlag.

Newell, J. & Whittington, D., (2004) Monoprinting, London: A&C Black.

Nickas, B., (2009) Painting Abstraction: New Elements in Abstract Painting, London and New York: Phaidon Press Ltd.

Picasso, (1980) Picasso: Lithographs, Toronto: Dover Publications.

Picasso, (1981) Picasso: Line Drawings and Prints, Toronto: Dover Publications.

Pipes, A., (2008) Foundations of Art and Design, London, UK: Laurence King Publishing.

Pogue, D., (2012) Printmaking Revolution : new advancements in technology, safety and sustainability, New York: watson-guptill publications.

Pollard, C. & Watanabe, M. I., (2014) Hiroshige: Landscape, cityscape, Oxford: Ashmolean Museum.

Poore, H. R., (1967) Pictorial Composition, An Introduction, New York: Dover Publications Inc.

Porzio, D. (ed.) (1982) Lithography: 200 years of art, history & technique, London: Bracken Books.

Ramkalawon, J., (2016) Maggi Hambling Touch: works on paper, London: Lund Humphries and British Museum.

Roberts, I., (2007) Mastering composition: techniques and principles to dramatically improve your painting, Cincinnati, Ohio: Northlight Books.

Rothko, C. & Bishop, J., (2017) Rothko: The Color Field Paintings, New Haven: Yale University Press.

Royalton-Kisch, M., (2006) Rembrandt as Printmaker, London: Hayward Gallery Touring.

Russell, J., (1979) Francis Bacon, London: Thames & Hudson.

Salamon, F., (1972) The History of Prints and Printmaking from Durer to Picasso: A guide to collecting, New York, Sat Louis, San Francisco: American Heritage Press.

Sanchez, L. G., (2004) Frida Kahlo, Mexico: Banco de Mexico.

Schroer, A. (ed.) (2005) Hiroshige, Berlin, Munich, London, New York: Prestel.

Schroer, A., (2005) Hokusai, Berlin, Munich, London, New York: Prestel.

Serres, K. & Wright, B., (2017) Soutine’s Portraits: Cooks, Waiters & Bellboys, London: The Courtauld Gallery.

Smee, S., (2007) Lucian Freud, Koln: Taschen.

Stechow, W., (1966) Dutch Landscape Painting of the Seventeenth Century, New York: Phaidon Publishers.

Stevens, C. & Wilson, A. (eds.) (2017) David Hockney, London: Tate Publishing.

Stobart, J., (2001) Printmaking for Beginners, London: A&C Black.

Storr, R., (2009) Gerhard Richter: The Cage Paintings, London: Tate Publishing.

Stromquist, A., (2004) Simple Screenprinting: basic techniques and creative projects, New York: Lark Books.

T.J.Clark, (2013) Picasso and Truth: from Cubism to Guernica, Princeton and Oxford: Princeton University Press.

Treves, L., (2016) Beyond Caravaggio, London: National Gallery.

Vann, P., (2004) Face to Face: British self-portraits in the twentieth century, Bristol: Samson & Company Ltd.

Weller, S. (ed.) (1994) German Expressionist Woodcuts, New York: Dover Publications Ic.

Wilcox, M., (1987) Blue and Yellow don’t make Green, NA: School of Colour Publications.

Wildenstein, D., (2017) Monet or the Triumph of Impressionism, Koln: Taschen.

Williamson, C., (2011) Reinventing Screenprinting, London: A&C Black.

Woods, L., (2011) The Printmaking Handbook: Simple techniques and step-be-step projects, London: Search Press.

Wye, D., (2017) Louise Bourgeois: An Unfolding Portrait, New York: MoMA.

Yeates, S., (2011) Learning Linocut: A comprehensive guide to the art of relief printing through linocut, Gamlingay, UK: Bright Pen.

Zelanski, P. & Fisher, M. P., (1999) Colour, London: Herbert Press.

Zigrosser, C., (1951) Prints and Drawings of Kathhe Kollwitz, New York: Dover Publications.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.